Zigurd
Mecca V.I.P.
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Mehvatar (Cameron, 2009)
Meh.
Really ? I heard superb things.
Mehvatar (Cameron, 2009)
Meh.
Parts of it look great, particularly close-ups of the Na'vi. The story thoroughly sucks though.Really ? I heard superb things.
Parts of it look great, particularly close-ups of the Na'vi. The story thoroughly sucks though.
Eh, I suppose. CGI is always CGI though. The textural rendering and 3-D were smooth enough, but I hardly see this as the future of cinema, especially given the cost. I'm just not floored by it visually, despite some impressive moments.What a fucking shame. Visually, is it the breakthrough that they said it would be?
Mehvatar (Cameron, 2009)
Meh.
Eh, I suppose. CGI is always CGI though. The textural rendering and 3-D were smooth enough, but I hardly see this as the future of cinema, especially given the cost. I'm just not floored by it visually, despite some impressive moments.
You're mistaking my being concise with me being dismissive. I'm aware what the aim of the effects was and how, at many times, these aims were met. Objects showed a more competent relation to space throughout a more integrative, interactive system of depth. Still, some visual cues are still flat and movement reads as less than ideal from a distance -- close ups seem to have benefited the most. Imagery notwithstanding, the film is pretentious. While the technological scope of the project moves it beyond the whole, "Look at me!" 3-D that we've so come to expect, the movie makes several self-aware nods to itself and its gadgetry. For example, the line, "You are not in Kansas anymore," for starters, is meant to compare cinematic progression from the golden era to now. This is all well and good, but it's also a very lofty statement and doesn't play well against the simplicity of the story. Avatar is a film the champions the progression of technology but is content with tired storytelling, which strikes me as wasteful and a bit condescending to those who experimented with the medium's capacity for differentiation. Cameron is doing this merely through technology.I think your over simplifying. Yes It was hyped up a lot but it did acheive a lot of things. The 3-D was integrated very well and it became part of the movie much more then the cheesy "shoot things into the screen and make it look cool because it 3-D" BS that is way overdone.
Sure, I've acknowledged this, but I'm just not blown away by such things. Cameron effectively spent a ton of money to make a convincing world of pixels but impressive elements like the movement of clothing or nature still look better when they are, in fact, clothing or nature.dilatedmuscle said:The facial animations were the amazing, bar-none, best ever. When Zoe Saldana really begins to act i was like "WOW". It looks like actual acting, because it is (insane mo-cap and face-cap). The way the clothing moved and folded on the 3D characters was also amazing.
As critics? We? I'm not trying to be belittling, but I'm proximal enough to the industry that I know a fair bit about the film's reception and how my own relates to it. Nonetheless, the issue here isn't with hype or expectation, it's with the film's relative arrogance.dilatedmuscle said:I think as critics we tend to buy into the hype and if it doesnt meet the hype then its mediocre.... but if it were not overhyped we would be more impressed.
Ugh. The story is another in a long line of movies that uses allegorical aliens to flesh-out the insensitivities of man a la a million other recent endeavors. Cultural differences were shown as simplistic and passe and Cameron left little room for exploration - or anything, really - outside his sumptuous visuals. Here is a story with great philosophical implications that becomes nothing more than the world's biggest action showpiece. The black/white morality and cartoonish villiany keep the film from being efficiently affecting. The story is the same 80's and 90's genre-stuff we're used to seeing from Cameron, just told with bigger, more expensive toys. Not to mention the less-than-subtle sexuality of the whole thing, specifically how the film purposefully designed the Na'vi to be sexually appetizing for Americans. The whole thing seems to cater towards basic instinct, which isn't congruent with its technological implications.dilatedmuscle said:The story i thought was really good. Although it was cliche pocahontas-esque story, It didnt try to be anything more then that and it was really well executed. I did notice some inconsitencies here and there but overall solid. Granted i had low expectations for the story in the first place and needless to say, it surpased my low expectations.
Yes, yes it would be. I saw it to have an opinion on it. I was somewhat excited to see it, but was completely indifferent to whether or not I actually enjoyed it, which I didn't, really.dilatedmuscle said:I mostly went to see it because of the technology behind it... I was disappointed by the 3D at first because i wanted to see things flying at me all the time but when u really think about it, that would be completely retarded.
Eh, I hardly consider Cameron any type of aesthetic master, so I'll refrain from comparing the visuals of his films. Nonetheless, he is competent in the arenas of tone and scale, which is what does work - I guess - in Avatar.dilatedmuscle said:The other thing was the new facial animation techniques that i, as i said before, was really impressed. The brilliant color schemes were great since the film industry is over-saturated, or should i say DE-SATURATED lol, by grey-ish brown-ish filters and completely different style from Cameron's past films.
I never said it wasn't worth a try, just that it was a fairly middling result. I'd much rather recommend films that do come out in theaters but are never seen by the common viewer for one reason or another. Not something that will go on to have a fairly high national (despite its insistence that the American attitude is damning the Earth) and international gross.dilatedmuscle said:With all the terrible movies we end up seeing in theatres, this movie is definitely atleast worth a try. Dont let the Over-Hype jade you, take it for what it is.
The most big-budget visceral slugfests might go this route. I don't see the technology getting into the hands of Bela Tarr (or someone as equally capable) anytime soon.dilatedmuscle said:EDIT: as far as the future of film... i would say so for some types of films. This movie costed a ton but for future movies it wont cost nearly as much because the technology and mechanics wont have to be inovated as they were for this film.
It's more about race than species.the first movie that made me think that humans should loose the war..
I think this thread is for you: http://www.musclemecca.com/showthread.php/new-movie-avatar-47775.htmlNeytiri is hot..
Cowardice.Not rateable in my opinion.
Lately I've watched This Sporting Life, Les dames du Bois de Boulogne, Fists in the Pocket, and Santa Sangre, which were all varying degrees of good. There's also that whole "Line Top 100 Movies" thread with some of my past favorites in there. I don't necessarily love all those movies as I had but I still hold an affinity for them. I'll be doing a new top 100 thread soon.
Line name a movie that you liked. Or a movie that you enjoyed at least most of when you were watching it. So i am not misunderstood, I am not saying that you hate something about every movie. I just want to see what qualifies as a good movie to you. I realize your using a some what objective scale when you give your critiques. That is why I'm asking what movie great.